Diptychs (2024)
A series of construction drawings made in pairs. Pairs which are never to be seen together. One - a physical drawing, hand made in luminous colours - would be sent to Prof. G. N. Saibaba, in prison. The other is what you see here, for us on the outside. A ghost image, digital format, drained of colour. No touch, no smell.
Dear Sai
While you were in jail I carried on my job as an architect alongside my activism. But your poems and letters made their way into that work too, in unexpected ways. For instance, the way I drew construction detail drawings began to change…I decided I would send the drawings to you and your fellow prisoners as a tribute. (Sofia Karim, letter to Professor G. N. Saibaba)
The Sad Thing is That They Don’t Know How to Kill Me
Flitch Beam, Counter Batten, Section 1:2
Words Fail Me
Window Reveal Detail
August Monsoon Morning
Flitch Beam to Joist Connection, Section 1:50
A Tad Bit of a Dry Breeze
Brick Upstand Detail, Section 1:2
Lonely at This Hour in Our Garden of Love
External Wall-Door Jamb, Plan 1:2
Tyranny and Tragic Turn
Window Seat Detail
Our Days in The Fields of Rice
Roof Timber to Steel Joist Connection, Section 1:5
Living is a Serious Business, Like Loving You
Kitchen Wall-Roof Junction, Section 1:50
Diptychs, 2024 - Exhibition Photos
UCSC Institute of the Arts and Sciences & San José Museum of Art, California (Seeing Through Stone) - April 2024 to January 2025